Sashimi
Tunng
D
Intro: A D G (continue hitting the bottom E string for 8 beats) x4 A D G Escaping through plastic A D G White beads into the mixture Expensive, delightful A D G It's true the un -proud Adventures in your wake A D G Black blood is pouring into Discomforts, shortcomings A D G That made you kill them So come in and lie down A D G Lift your feet up off the floor Sashimi, sashimi A D G Escaping through plastic A D G White noise into the next room Her touch is elusive A D G It ties us all down We're moving, ecstatic A D G She drops like sweet surrender We're falling through atoms A D G She's so understanding So come in and lie down A D G Lift your feet up off the floor Sashimi, sashimi, sashimi D (let it ring)
A D G Don't lead her astray A D G Don't lead her astray A D G Don't lead her astray A D G Don't lead her astray D Sashimi, sashimi, sashimi A D G (x2) A D G Don't lead her astray Sashimi, sashimi, sashimi A D G Don't lead her astray Sashimi, sashimi, sashimi A D G Don't lead her astray Sashimi, sashimi, sashimi A D G Don't lead her astray D Sashimi, sashimi, sashimi
Tablaturas 2— toque pra ver as tabs
Tab
A D G E|------0--------2--------3----------------------------------------| B|------2--------3--------3----------------------------------------| G|------2--------2--------0----------------------------------------| D|------2--------0--------0----------------------------------------| A|------0--------x--------2----------------------------------------| E|------x--------x--------3----------------------------------------|
Tab
(an electric guitar plays after the G chord for the next bit): D|----0-0-----------0-0-----------0-0-----------------------| A|-2-------------2-------------2----------------------------| E|----------------------------------------------------------|
Cifra adaptada de fontes públicas. Direitos da composição pertencem aos autores e gravadoras originais. Esta página é parte do projeto educacional Mania de Músico.
Clube das Cordas
Aprenda a música Sashimi e dezenas de outras com método.
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