Youre All Ive Got Tonight

The Smashing Pumpkins

Tom original: E Capotraste: Sem capotraste Acordes: 5
E
            I dont care if you hurt me some more......
        you're all i got tonight
        Just play around with these riffs and you'll have the song down.
This is a fun song to play if you can get some drums.From c9609436@alinga.newcastle.edu.au Fri May 16
1997
Date: Fri, 16 May 1997 09:30:07 +1000 (EST)
From: The Loan Arranger
Subject: TAB : You're all I've got tonight - Smashing Pumpkins
        You're All I've Got Tonight
Smashing Pumpkins
"Bullet With Butterfly Wings" -single  (only on Aeroplane flies high)
Performance Notes: Tune down 1/2 step. This is a cover of a Cars song,
written by Ric Ocasek.
Chords:
E5   x799xx
B5   799xxx
A5   577xxx
A#5  688xxx
G5   355xxx
Enter Drums
Rhythm Figure 1
Guitar 1 (doubled)  end rhy fig 1
         E5 B5         A5 A#5 B5
|:              |               :|
Verse 1
with Rhy Fig 1 3 and half times.
I don't care if you hurt me some more.
I don't care if you even the score.
SEGNA
Pre-Chorus (Guitrs tacet)
1. Well, you can knock me, I don't care.
2. And you can make me. I don't care.
3. Well, you can pump me. I don't care.
1. And you can mock me. I don't care.
2. And you can fake me. I don't care.
3. And you can bump me. I don't care.
1. And you can rock me just 'bout anywhere.
2. And you can love me just 'bout anywhere.
3. And tou can love me just 'bout anywhere.
1,2,3. It's all right.
                (Ahhh.   --  Ahhhhhh.)
Chorus ( strum pattern   /   /   / / / / )
 G5                          A5             G5
|    'Cause you're all I've | got tonight  |    You're all I've |
                                                    Go to Coda II
 A5               G5                    A5               A#5  B5
| got tonight    |     You're all I've | got tonight. I need you |
                                *2nd time to Coda I*|
1st time: Guitars tacet                             |
2nd time: w/fill 1              w/fill 1            |
|      tonight. |       I need | you      tonight   |
2nd Verse
                                     A5 A#5 B5   w/fill 1    E5 B5
| I don't care if you | use me again           |                   |
                                                      A5 A#5 B5
|             | I don't care if you a-|-buse me again.          |
                       Del Segna al Coda|
 w/fill 1     E5 B5                     |
|                   |                   |
CODA I
                                                       Full
 Guitar 2 ( w/tone control at zero)                    |----
                            ) 1+ 1/2                1+ 1/2
                         ---
                         1
|             |                 ||
3rd Verse - Guitars tacet
I don't wanna feel sorry for you.
You don't have to make belive it's you.
        Del Segna al Coda II
CODA II
 w/Rhy fig 1 # + hald times               w/fill 1
|                tonight |        I need | you        tonight    I need |
 w/fill 1                         w/fill 1
|you     tonight |     I, I need | you        tonight. ||
 Fill 1
   tr/\/\/\/\/\/\/\/\/\/\/\/\
Tablaturas 10— toque pra ver as tabs

Tab

progression 1:
E|------------------------------------------------------|
B|------------------------------------------------------|
G|-------------------------9----------------------------|
D|-------------------------9-9--------------------7-8-9-|
A|-------------------------7-9--------------------7-8-9-|
E|---------------------------7--------------------5-6-7-|

Tab

progression 2:
E|----------------------------------|
B|----------------------------------|
G|----------------------------------|
D|-5-X-5/7-7-7-7-7-7-7-7-7-7-7------|
A|-5-X-5/7-7-7-7-7-7-7-7-7-7-7------|
E|-3-X-3/5-5-5-5-5-5-5-5-5-5-5------|

Tab

E|----------------------------| |------------------------|----)--------|
B|----------------------------| |------------------------|-----)-------|
G|----------------------------| |------------------------|------)------|
D|--------------9-------------| |------------------------|-------)-----|
A|-------------------------13h| |14/\/\/\/\/\--12--14--14---------(14)-|
E|--------------------9/------| |--------------------------------------|

Tab

full             1/2
E|-------------------------|----------------------------------------|---)----|
B|-------------------------|----------------------------------------|---)----|
G|-------------------------|----------------------------------------|---)----|
D|-------------------------|----------------------)/\/\/\/\/\------)|---)----|
A|-12h14--12/\/\/\/\-(12)\-|------10/\/\/\/\--9h10------------10h12-|---(12)-|
E|-------------------------|----------------------------------------|--------|

Tab

1+ 1/2                                    1
E|---------------)---------------|---------------------)-------------|
B|---------------)---------------|---------------------)-------------|
G|---------------)---------------|---------------------)-------------|
D|---------------)---------------|-----------------)---)-------------|
A|-10----)-------)---------------|------------10h12----(12)--10-9h10/|
E|-----12--------(12)----10/\/\/\| /\/\--10h12------------------------|

Tab

E|------------|

Tab

) 2         (
E|---------| -------

Tab

E|--------------------------------|--------------------------------|-------|
B|--------------------------------|--------------------------------|-------|
G|-----------------------)--------|--------------------------------|-------|
D|----------------------)---------|--------------------------------|-------|

Tab

a/14/\/\/\/\/\--(14)/17----------|---(17)-----17----------(17)/\/\|-(17)\-|
e|--------------------------------|--------------------------------|-------|

Tab

E|--------------------------------|
B|--------------------------------|
G|--7--(8)------------------------|
D|--------------------------------|
A|--------------------------------|
E|--------------------------------|
Cifra adaptada de fontes públicas. Direitos da composição pertencem aos autores e gravadoras originais. Esta página é parte do projeto educacional Mania de Músico.
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