My First Kiss At The Public Execution

(início)

MY FIRST KISS AT THE PUBLIC EXECUTION
(From the 2004 Album CRIMES)
Words by Johnny Whitney/Jordan Billie
Transcribed by James Martyn
Gtr I (E A D G B E) - 'Untitled'
Gtr II (E A D G B E) - 'Untitled'
 Pre-Verse
  Q=120
               G#
 4/4
  Gtr I
               TP          TP
  W            W          +W      3x

    G#
    TP          TP           TP           TP
    W          +W           +W           +W
||-----------|------------|------------|---------||
||o----------|------------|------------|--------o||
||-----------|------------|------------|---------||
||-----------|------------|------------|---------||
||o----------|------------|------------|--------o||
||--4--------|-(4)--------|-(4)--------|-(4)-----||
  G#
  TP          TP           TP           TP
  W          +W           +W           +W

  G#
  TP          TP           TP
  W          +W           +W

 Verse
  Q=130
  N.C.
  Wx4

    N.C.
    Gtr II
    E E Q  E  E   Q     E  E   H.        E E Q  E  E   Q     E  H..
||--------------------|----------------|-------------------|------------||
||o---3---------------|----------------|---3---------------|-----------o||
||------3-----3---2---|----2---0-------|-----3-----3---2---|----2-------||
||--0--------(0)-(0)--|---(0)-(0)------|-0--------(0)-(0)--|---(0)------||
||o-------------------|----------------|-------------------|-----------o||
||---------3----------|-2--------------|--------3----------|-2----------||
 is for Chorus!
  Bb6/G                          Dm/A
  S S S S S S S S S S S S S E.   E E E E E E E E

  Bb6/G             Dm/A
  E E E E E E E E   E E E E E E E E

  Bb                Dm/A              Bb6/G             Dm/A
  E E E E E E E E   E E E E E E E E   E E E E E E E E   E E E E E E E E

 Pre-Verse
  Q=120
  G#
  Gtr I
  TP          TP           TP           TP
  W          +W           +W           +W

  G#
  TP          TP           TP
  W          +W           +W

 Verse
  Q=130
  Wx4

  N.C.
  Gtr II
  E E Q  E  E   Q     E  E   H.        E E Q  E  E   Q     E  H..

  N.C.
  E E Q  E  E   Q     E  E   H.        E E Q  E  E   Q

 Chorus
  Bb6/G             Dm/A              Bb6/G             Dm/A
  E E E E E E E E   E E E E E E E E   E E E E E E E E   E E E E E E E E

  Bb                Dm/A              Bb6/G             Dm/A
  E E E E E E E E   E E E E E E E E   E E E E E E E E   E E E E E E E E

  Bb6/G             Dm/A              Bb6/G             Dm/A
  E E E E E E E E   E E E E E E E E   E E E E E E E E   E E E E E E E E

  Bb                Dm/A              Bb6/G             Dm/A
  E E E E E E E E   E E E E E E E E   E E E E E E E E   E E E E H

  Dm/A                          Dm/A                     Dm/Dm/A
                                                        3/4
                >                            >
                                                         TP
  +W           +W           +E  H..         +W           Q  q  Q

   Outro
    Q=260
    N.C.
   4/4
    Gtr I
    E. S E. S E. S E. S   E. S E. S E E E E  4x
||----------------------|--------------------||
||o---------------------|-------------------o||
||----------------------|--------------------||
||----------------------|--------------------||
||o---------------------|-------------------o||
||--3----3----3----3----|-3----3----3-3-3-3--||
  N.C.
  E. S E. S E. S E. S   E. S E. S E E E E

  N.C.
  E. S E. S E. S E. S   E. S E. S E E E E

+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff

 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /\  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
 \n  - tremolo bar down
 n/  - tremolo bar up
/n\  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
   - volume swell (louder/softer)

 |  - bar
||o - repeat start
o|| - repeat end
 :  - bar (freetime)
 &  - Coda
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* Generated using Power Tab Editor by Brad Larsen - http://* *
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