The Fountain Of Lamneth V Bacchus Plateau

(início)

           G                    A                   A/D                   D
      3 2 0 0 3 3          x 0 2 2 2 0         x x 0 9 10 9        x x 0 11
10 10
          G/D                 Dopen              Dadd11/F#               E5
      x x 0 7 8 7          x x 0 2 3 2          2 0 0 0 3 3          0 2 2 4
0 0
Gtr I (E A D G B E) - 'Main Guitar'
Gtr II (E A D G B E) - 'Lead Guitar'
Fade In
  Q=114
  G    A           G    A
4/4
  Gtr I
  Q  E E +Q   Q    Q  E E +Q   Q

  A/D    D               A/D    D      A/D   G/D
   Q   E   E   +Q   Q     Q   E   E  E  E  E E

   Verse I
    G    A           G    A
    Q  E E +Q   Q    Q  E E +Q   Q
||--3E|-----------|---|-3E|-----------|---|
||o-3----2-(2)-----|-3----2-(2)-----|
||--0----2-(2)-----|-0----2-(2)-----|
||--0----2-(2)-----|-0----2-(2)-----|
||o-2----0-(0)-----|-2----0-(0)-----|
||--3E|-----------|---|-3E|-----------|---|
  A/D    D               A/D    D      A/D   G/D
   Q   E   E   +Q   Q     Q   E   E  E  E  E E   3x

                          Chorus
  Dopen                    Dopen G/D  A     A   Dopen
  >
  W          +W            Q  Q  Q  E E   E E E E Q  E E

  G       Dadd11/F# E5     DopeA        Dopen G/D  A     A   Dopen
  E E E E E E E E   Q.   E  E   E. E.   Q  Q  Q  E E   E E E E Q  E E

  G       Dadd11/F# E5         Dopen A    G       G     Dopen
  E E E E E E E E   W          Q  Q  Q  E  E    E  E  E E Q  E E

  G       Dadd11/F# E5     DopeA        Dopen A    G/D   G/D Dopen
  E E E E E E E E   Q.   E  E   E. E.   Q  Q  Q  E E   E E E E Q  E E

  G       Dadd11/F# E5     G    DopeDopen
                                    >
  E E E E E E E E   Q.   E Q  E E   W          +W

   Verse II
    G    A           G    A
    Q  E E +Q   Q    Q  E E +Q   Q
||--3E|-----------|---|-3E|-----------|---|
||o-3----2-(2)-----|-3----2-(2)-----|
||--0----2-(2)-----|-0----2-(2)-----|
||--0----2-(2)-----|-0----2-(2)-----|
||o-2----0-(0)-----|-2----0-(0)-----|
||--3E|-----------|---|-3E|-----------|---|
  A/D    D               A/D    D      A/D   G/D
   Q   E   E   +Q   Q     Q   E   E  E  E  E E   3x

                          Chorus
  Dopen                    Dopen G/D  A     A   Dopen
  >
  W          +W            Q  Q  Q  E E   E E E E Q  E E

  G/D     Dadd11/F# E5     DopeA        Dopen G/D  A     A   Dopen
  E E E E E E E E   Q.   E  E   E. E.   Q  Q  Q  E E   E E E E Q  E E

  G       Dadd11/F# E5            Dopen A    G/D   G/D Dopen
  E E E E E E E E   H..       E   Q  Q  Q  E E   E E E E Q  E E

  G       Dadd11/F# E5     DopeA        Dopen A    G       G     Dopen
  E E E E E E E E   Q.   E  E   E. E.   Q  Q  Q  E  E    E  E  E E Q  E E

  G       Dadd11/F# E5     G    DopeDopen
  E E E E E E E E   Q.   E Q  E E   W          +W

Outro Solo
  G                     A                    G                     A
  Gtr I
   Q                  E  E        +Q   Q      Q                  E  E
+Q   Q

| Gtr II
|                                  ~~~~
~~~
|  |--3--|  |--3---|     |--3--|              |--3--|  |--3---|     |--3--|
|  S  S  S  S  S  +S  E  S  S  S  +Q.    E    S  S  S  S  S  +S  E  S  S  S
Q.    E

  A/D              D                    A/D            D             A/D
G/D
   Q             E   E   +Q     Q        Q         E     E       E    E  E E

|                         ~~~~                                   ~~~~~
|  S   E  E.         E   +Q    +S  E.    E    S  E   S   E      +Q       E E

  G                A                          G            A
  Q        E        E      +Q           Q     Q        E   E   +Q          Q

|                               ~~~~~~~~
|          |--3--|  E|-3--|                                           |-3-|
| E  S  S  S  S  S  S  S S  S. +S  +E..   E   S S  S S S S S S  S  S S S S S
S S S

  A/D    D                   A/D              D                A/D     G/D
   Q   E   E   +Q       Q     Q           E     E        E      E    E E

|                             E|-3--|               |-3-|
|  E Q     Q       +E   Q     S  S S S S.   E      S S S   S S     Q      S.

  G                 A                            G             A
  Q           E     E    +Q        Q             Q       E     E     +Q
         Q

| S S S S S S   S S S S.     S S S.S S S S S S   S. S  E    S. S  S.      S
S  S S.  S.  S.  S

  A/D                  D                    A/D              D
A/D     G/D
   Q            E        E        +Q   Q     Q           E     E      E    E

|
~~~~~~~
|                  |----3----|                                 E|-3--|
|  S   S  S  S  S  S S       S S   Q   Q     S   S T  S. S S   S  S S S S  E
  +Q

  G               A                              G               A
   Q          E    E    +Q           Q            Q         E     E   +Q
     Q

|  S  S S  S  S S  S  S  S   S  S S  S  S S  S    S S  S  S S  S  S S  E   E
  E  S  S  S  S  S

  A/D                   D                      A/D           D
A/D   G/D
   Q               E      E     +Q       Q      Q          E   E     E

|                                ~~~~~~~~
~~~~
|  |--3---|
|  S   S  S  S  S  S  S   S  S   S   +Q.   S    E.    E.       E.       +E.
    Q

  G             A                          G           A
  Q         E    E   +Q          Q         Q       E   E   +Q        Q

| |-3-|               E|-3--|
| S S S S S S S  S S  S  S S S S S S S S   S S S S S S S S  S  S S S S S S S

  A/D       D                   A/D             D             A/D   G/D
   Q    E     E   +Q    Q        Q        E       E         E  E  E E

|                                           |---3----|
|  S E. S S   Q       Q   S S    S  S S E   S S      S +E.     Q.

W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a -
acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it
represents the
duration for.  Duration letters with no fret number below them represent
rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest
for.  Low
melody durations appear below the staff

h   - hammer-on
p   - pull-off
b   - bend
pb  - pre-bend
r   - bend release (if no number after the r, then release immediately)
/\  - slide into or out of (from/to "nowhere")
s   - legato slide
S   - shift slide
  - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
~   - vibrato
tr  - trill
T   - tap
TP  - trem. picking
PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
\n  - tremolo bar down
n/  - tremolo bar up
/n\  - tremolo bar inverted dip
=   - hold bend; also acts as connecting device for hammers/pulls
<>  - volume swell (louder/softer)
x   - on rhythm slash represents muted slash
o   - on rhythm slash represents single note slash

|  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
:  - bar (freetime)
$  - Segno
&  - Coda
Tempo markers -  = BPM(8/16=s8/s16), where s8 = swing 8ths,
s16 = swing 16ths