The Unknown Soldier
Ralph Mctell
C
(início)
C Trumpets [Intro] (Spoken) C G/B More than fifty thousand names are carved on Ypres' Menin gate Am F C of soldiers who have no known graves, just their destiny and date. /B Am Witness and last testament, name and rank and regiment, G F C C/E F Gsus4 G is now all that survives from so many squandered lives.
Part 1
C Em F F And for every name inscribed C Em F F C/E the poor bereaved were left to mourn, Dm G C C the passing of each one who died G Am Am/G F F with no white cross on tended lawn. G C Em F G No place to go to contemplate C G F C/E the sacrifice, the wicked waste, Dm G no footprint left to show where once they trod F G Allegedly known unto [Interlude] god.
Interlude
C C G G Am C/G F F
Part 2
C Em F G From Ypres, Arras, Aisne and Somme, C Em F F C/E six unknown soldiers were exhumed, Dm G C C a blindfold general picked one man G/B Am Am/G F F G and reverently they brought him home. C Em F G Six black horses drew the hearse C G F C/E through silent London crowds immersed, Dm G in deepest thought belief or wishful prayer F G that this might be their own boy [Interlude] there.
Interlude
C C/E F Gsus4 G Am Em F Gsus4 G
Spoken
Am Em The metal tyres on the carriage wheels, played the tuneless requiem, F Am the sky as grey as bayonet steel above the sombre hatless men. Em Am One more enemy to kill, that remaining sense of guilt, D that through it all somehow they had survived, Gsus4 G returned to mothers sweethearts wives.
Spoken
Am Em Familiar streets their own backyards, F their medals and all praise ignored, Am F prayed to be his honour guard and walk with him their true reward. Gsus4 C While far from pomp and circumstance, F C across the autumn fields of France, Dm C C/E the trenches start to slowly fill and fade, Em Am F the bloody page turned by the ploughman's blade.
Part 3
C Em F F G Thankfully we'll never know C Em F F C/E if he was constant strong or frail, Dm G C C scared or brave in equal parts, G/B Am F F G country tanned or city pale. C Em F G A carefree youth or thoughtful lad, C G F C/E not wholly good nor wholly bad, Dm G a bomb does not judge how you played your part, F G a bullet stops a lions [Interlude] heart.
Interlude
C Em F F G C Em F F C/E Dm G C C Am Am/G F F G C Em F G C G F C/E Dm Dm Gsus4 G F F G G C C/E F Gsus4 G
Part 4
C Em F F G With softest cloth and gentlest broom C Em F F C/E to sweep and wipe cathedral dust, Dm G C C like dried tears on this marble tomb, G/B Am F F G take care for he was one of us. C Em F G In perfect irony and grief C G F C/E the bride's bouquet becomes a wreath, Dm G and wrapped beneath dark angels folded wings, F F Gsus4 G Tommy Atkins rests with [Outro] kings.
Outro
C Em F Gsus4 G7 C
Cifra adaptada de fontes públicas. Direitos da composição pertencem aos autores e gravadoras originais. Esta página é parte do projeto educacional Mania de Músico.

