Charles Lindbergh Was A Fuck Machine

(início)

 Intro Sample
  Cybergrind Q=161
  N.C.
 4/4
  Gtr I
  Wx8

   Sample continues
    D5
    S S E S S E S S E S S E   S S E S S E S S E S S E
||E|E|-----------|----|E|-----------||E|E|-----------|----|----------|
||oE|E|-----------|----|----------|E|E|-----------|----|----------|
||E|E|-----------|----|E|-----------||E|E|-----------|----|----------|
||E|E|-----------|----|E|-----------||E|E|-----------|----|----------|
||o-0-0-0-0-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-0-0-0-0-|
||--0-0-0-0-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-0-0-0-0-|
                            F5   E5
  S S E S S E S S E S S E   H    H

              Noise
  N.C.         F5G5D5        F5G5D5        F5G5D5        F5G5D5
  W            E E H.        E E H.        E E H.        E E H.

 Urrrr
  Q=85
  D5
  Gtr II
  PME|E|-----------|----|E|E|-----------|----|E|E|-----------|----|----------|
  E E E Q.   E E   E E E Q.   E E   E E E Q.   E E   E E E H    E

 More Noise
  Q=161
  N.C.
  W          W          W          W

   Ooooghh
    D5
    PM  PM----|           PM--------|
    E E E E E E Q    Q.   S S E S S E E
||E|E|-----------|----|--|E|E|-----------|----|-----|
||oE|E|-----------|----|-|E|E|-----------|----|-----|
||E|E|-----------|----|--|E|E|-----------|----|-----|
||E|E|-----------|----|--|E|E|-----------|----|-----|
||o-0---0-0-0-0----|------0-0-0-0-0-0---|
||--0---0-0-0-0----|------0-0-0-0-0-0---|
  PM  PM----|           PM--------|
  E E E E E E Q    Q.   S S E S S E E

 "Loud noises!Outro
               Q=85
  N.C.         D5
               PM  PM----|           PM--------|
  W            E E E E E E Q    Q.   S S E S S E E

  PM  PM----|           PM--------|
  E E E E E E Q    Q.   S S E S S E E

W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff

 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /\  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
  - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
 \n  - tremolo bar down
 n/  - tremolo bar up
/n\  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
 <>  - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash

 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers -  = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths