A Fever You Cant Sweat Out Mashup
Peppermint Ollie
Em
(início)
Gm F Eb D Give us this day our daily dose of faux affliction Gm Forgive our sins forged at the pulpit Eb D With forked tongues selling faux sermons Gm F Eb 'Cause I am a new wave gospel sharp D And you'll be thy witness Gm So gentlemen, if you're gonna preach D Eb For God sakes preach with conviction
Camisado
D You're a regular decorated emergency D You're a regular decorated emergency D D7 Bm This is the scent of dead skin on a linoleum floor G This is the scent of quarantine wings in a hospital D It's not so pleasant and it's not so conventional A Bbm It sure as hell ain't normal but we deal, we deal Bm The anesthetic never set in and I'm wondering where G The apathy and urgency is that I thought I phoned in D No it's not so pleasant and it's not so conventional A Bbm It sure as hell ain't normal but we deal, we deal
Build God, Then We'll Talk
D Gm Along with the people inside Bb F D Gm Cm Bb D What a wonderful caricature of intimacy Gm Bb F D Gm Cm Bb D Inside, what a wonderful caricature of intimacy D There are no
Nails for Breakfast, Tacks for Snacks
Dm F Prescribed pills Bb To offset the shakes Gm To offset the pills Dm You know you should take F Bb Gm It a day at a time Dm F Prescribed pills Bb To offset the shakes Gm To offset the pills Dm You know you should take F Bb Gm It a day at a time Am Gm Am Gm time
But It's Better If You Do
Am F E Now I'm of consenting age to be forgetting you in a cabaret Am F E Somewhere downtown where a burlesque queen may even ask my name Am As she sheds her skin on stage F E Am I'm seated and sweating to a dance song on the club's P.A. F The strip joint veteran sits two away E F E Dm Smirking between dignified sips of his dignified peach and lime daiquiri
I Write Sins Not Tragedies
Am I chime in with a F Dm G Am "Haven't you people ever heard of closing the goddamn door?" F Dm No, it's much better to face these kinds of things G With a sense of poise and rationality Am I chime in F Dm G Am "Haven't you people ever heard of closing the goddamn door?" F Dm No, it's much better to face these kinds of things
Time to Dance
Dm Have some composure Am Where is your posture? Bb Oh, no, no Am You're pulling the trigger F Pulling the trigger Gm All wrong Dm Have some composure Am Where is your posture? Bb Oh, no, no Am You're pulling the trigger F Pulling the trigger Gm Am Gm Am Gm All wrong
Lying is the Most Fun a Girl Can Have Without Taking Her Clothes Off
Am G So testosterone boys and harlequin girls F Will you dance to this beat E And hold a lover close? Am G So testosterone boys and harlequin girls F Will you dance to this beat E And hold a lover close?
The Only Difference Between Martyrdom and Suicide is Press Coverage
E Gbm Swear to shake it up, if you swear to listen D A E Oh, we're still so young, desperate for attention D E Gbm I aim to be your eyes, trophy boys, trophy wives E Gbm Swear to shake it up, if you swear to listen D A E Oh, we're still so young, desperate for attention D E Am D Em I aim to be, your eyes
There's a Good Reason These Tables Are Numbered Honey, You Just Haven't Thought of it Yet
Em D G And I know, and I know It just doesn't feel like a night out C With no one sizing you up Am B I've never been so surreptitious, Em So of course you'll be distracted when I spike the punch Em D G And I know, and I know It just doesn't feel like a night out C With no one sizing you up Am B I've never been so surreptitious, Em Em So of course you'll be distracted when I spike the punch
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