Dragon Mistress
Marty Friedman
C
(início)
Date: Fri, 26 Jun 1998 13:35:53
From: *
Subject: f/friedman_marty/*
Transcribed by Luciano Dall'Antonia
(*)
Legend:
= Natural Harmonics s = slide
~ = vibrato p = pull-off
^ = bend h = hammer-on
/ = slide up to the note indicated from a few frets below
\ = slide back a few frets from the note indicated
A.H. = artificial harmonic
That's not a lot, just what I was able to understand...
- INTRO -
Fig. 1
||---(1)-(1)--------------------------||
||----3---3---------------------------||
||o---2---2--------------------------o||
||o---0---0---0---0---0---0---0---0--o||
||------------------------------------||
||------------------------------------||
||---(1)-(1)--------------------------||
||----3---3---------------------------||
||o---3---3--------------------------o||
||o---0---0---0---0---0---0---0---0--o||
||------------------------------------||
||------------------------------------|| end Fig. 1
Here, Marty bends and releases the note
a bunch of times during the whole fig. 1- THEME SOLO - Rithm guitar plays fig. 1
^-------------------------| - - - I'm not very sure
about this bar...
Here Marty modulates from D minor to F minor and rithm guitar plays fig. 2
Fig. 2
||----------------------------||
||----------------------------||
||o--------------------------o||
||o---3--3-------------------o||
||----3--3--------------------||
||----1--1--1--1--1--1--1--1--||
||----------------------------||
||----------------------------||
||o--------------------------o||
||o---3--3-------------------o||
||----4--4--------------------||
||----1--1--1--1--1--1--1--1--|| end Fig. 2Now, the solo becomes too difficult for me to understand.
I think Marty doubles the solo with another guitar in several parts...
Please, send me your comments, suggests...
If you have the tablature of the whole song or other
Luciano Dall'Antonia (*)Tablaturas 5— toque pra ver as tabs
Tab
|--------------------------------|---------------------------------| |--8-----------------------------|--(8)----------------------------| |--------------------------------|---------------------------------| |--------------------------------|---------------------------------| |--------------------------------|---------------------------------| |--------------------------------|---------------------------------|
Tab
|----------------------|-------------------------|---------------| |----------------------|-------------------------|---------------| |----------------------|---------------------12--|--15~~--14^----| |-12~~---------12--14--|--15~~---12--14--15------|---------------| |------12--14----------|-------------------------|---------------| |----------------------|-------------------------|---------------|
Tab
A .*|
|------------------------|---------------------|--------------------------|
|------------------------|---------------------|--------------------------|
|-14~~----15p14p12h14~~--|---------------------|--------------------12----|
|------------------------|--12---------12--14--|--15~~--12--14--15--------|
|------------------------|-----12--14----------|--------------------------|
|------------------------|---------------------|--------------------------|Tab
|----------------------|------------------------------------| |----------------------|------------------------------------| |-15~~--17^ (17)r--15-|--14~~~---15--14--------------------| |----------------------|------------------15--14--12~~~-----| |----------------------|------------------------------------| |----------------------|------------------------------------|
Tab
|-----------------------|---------------------------------------|------- - -| |-----------------------|---------------------------------------|------- - -| |-----------------------|--17~~---------17--18--17--------------|------- - -| |--15~~---------15--17--|-------17--18--------------18--17--15--|--15~~- - -| |-------15--16----------|---------------------------------------|------- - -| |-----------------------|---------------------------------------|------- - -|
Cifra adaptada de fontes públicas. Direitos da composição pertencem aos autores e gravadoras originais. Esta página é parte do projeto educacional Mania de Músico.

