Georgia
Lydia
Am
(início)
F G F G
Verse 1
F You got a couple dollars in your pocket G It's 10 o'clock in the morning F Well, do you remember what you're talking? G Well alright, no problem
Pre-Chorus 1
F G Yeah yeah When it goes flying on by F G Yeah yeah I remember back when I
Chorus
F G When I had Georgia on my mind but I let her go F G Back when we were trying to find somewhere we could rest our bones Am F G Back when I was seein' no hope, yeah, I've been laying low Am F G Whatever kept me up those nights, I'll never know Yeah, that's how it goes
Verse 2
F I don't want no stories G Come on at me like you always F You were looking kind of lonely G Well alright, I'm sorry
Pre-Chorus 2
F G Yeah yeah Moving all around in my mind F Yeah yeah G And back when I, yeah back when I
Chorus
F G When I had Georgia on my mind but I let her go F G Back when we were trying to find somewhere we could rest our bones Am F G Back when I was seein' no hope, yeah, I've been laying low Am F G Whatever kept me up those nights, I'll never know Yeah, that's how it goes
Bridge-Spoken
F G What time is it? It's a little after six F G After six? Oh, I missed my bus again Oh, what's one more day? F Nothing to you G F You know, I've got a funny feeling I'm going around and around G Maybe I'm on a merry-go-round Well, climb on down.
Chorus
F G When I had Georgia on my mind but I let her go F G Back when we were trying to find somewhere we could rest our bones Am F G Back when I was seein' no hope, yeah, I've been laying low Am F G Whatever kept me up those nights, I'll never know Yeah, that's how it goes
Outro
F G When I had Georgia on my mind but I let her go F G Back when we were trying to find somewhere we could rest our bones F Yeah, that's how it goes
Cifra adaptada de fontes públicas. Direitos da composição pertencem aos autores e gravadoras originais. Esta página é parte do projeto educacional Mania de Músico.
Clube das Cordas
Aprenda a música Georgia e dezenas de outras com método.
Aulas passo a passo, professor acompanhando, comunidade ativa de quem toca de verdade.
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