Sway

(início)

INTRO: This is what you hear, when i saw them at their last brixton date, they
       played this an Lee did these huge slides before each note.  You didnt
       hear them sound but he played them, these sound about right:
        A String: (3)/12
        D String: (2)/9
        G String: (2)/5
       Anyway...thought you'd like to know...
Guitar 1: Delayed (2nd and 3rd repeats fade out slightly)
          The brackets are notes that are heard quietly in the background.
                                                                         x5

OVERA Y: This is that cool electronic sound you hear after the 1st repeat of
         Guitar 1's riff above.  You need DEA Y on for this.
Guitar 2: (could FINGER-PICK this as there won't be anything else 4 them to play
           yet.  They can only play it 3 times b4 going into the verse riff)

VERSE:
Guitar 2: (Guitar 1 will still be playing the intro riff)

PD-C HORUS:

Guitar 2: Will come in on the last 19 played on the 1st bar of Guitar 1's pre-chorus.
          Heavy Distortion and all PALM MUTED.  Listen to the CD for the
          "breaks of play" on the -3-5-7- chords where nothing is played.

CHORUS:
Guitar 1: Go straight into chorus from the verse riff above (first 3 notes will
          sound like Guitar 2's last 3 notes played above, but a lot higher)

Guitar 2: I don't think they play anything here but they could play the rhythm
          again.  They want to be CLEAN and quiet with the notes.
                                                                         x2

POST-CHORUS:
Guitar 1: Acoustic Sound + Delay (will be previously on from the 17 slide down)

Guitar 2: just needs Acoustic sound (note that Guitar 1 and 2's bass notes are
                                     played at the same time)

VERSE:
Guitar 2: (Guitar 1 will be playing the last section of their post-chorus riff)

PD-C HORUS:
Guitar 1:

Guitar 2: This time Guitar 2 comes in straight away with Guitar 1.
          Heavy Distortion and all PALM MUTED.  Listen to the CD for the
          "breaks of play" on the -3-5-7- chords where nothing is played.

CHORUS:
Guitar 1:

Guitar 2: Same technique as before - quiet and clean but for the 3rd and 4th
          repeats in needs to be QUIET and DISTORTED.
                                                                         x4

ENDING:
Guitar 2: needs Acoustic sound

Guitar 1: This is the intro repeated again but there is an overlay which is
          represented by the low 7th fret chords.  The overlay is distorted
          and Palm Muted.
                                                                         x2