Stealing

(início)

From: * (Craig Snider)
take him Halibut fishing (sounds like a Kottke story there :-) ).  Anyway,
it inspired me to finally sit down and try writing some tab.  Maybe I'll
get some of the other pieces I know down one of these days also.
This transcription is based on the live version on the My Feet Are Smiling
LP.  My turntable hasn't been working for a while, so I wasn't able to do
any verification against the recording, but this is the way I've been
playing it for close to twenty years now.  Any differences from the recording
are very minor and probably consist of variations on transitions between
sections.  The version on Mudlark starts at section 3, and becomes a duet
after the first time through part 4 - much of which is just double tracking.
This is another of Kottke's high energy, fast tempo pieces.  It is relatively
straightforward, the hard part being bringing it up to tempo.
It is also a good illustration of Leo's taking the thumb into melody
excursions, instead of always that "one oink per beat" duty.
The thumb always plays on the beat, with other fingers filling in the rest.
Where the player might be disinclined to use the thumb for higher strings
and melody parts, I've indicated its use by extending the beat mark all the
way up to the note to indicate the thumb's use.  The first instance of this
appears in measure 10, then 25, and so on.
The slides in measures 66, 68, 70, and 72, begin at the first fret.
Please let me know if you find any problems, changes, or have any questions.
from My Feet Are Smiling

Section order on My Feet Are Smiling:
1, 2, 3, 3, 4, 3, 4, 5, 6, 6, 7, 4, 6, 6, 7, 4, 3, 3
Section order on Mudlark:
3, 3, 4, 3, 7, 4, 6, 7, 6, 7
Intro: (repeat 5X, gradual crescendo)

     1  .  2  .  3  .  4  .     1  .  2  .  3  .  4  .
Section 1:
     C

     1  .  2  .  3  .  4  .     1  .  2  .  3  .  4  .

     1  .  2  .  3  .  4  .     1  .  2  .  3  .  4  .
                    F

     1  .  2  .     1  .  2  .  3  .  4  .
     G

     1  .  2  .  3  .  4  .     1  .  2  .  3  .  4  .
     F

     1  .  2  .  3  .  4  .     1  .  2  .  3  .  4  .
     F

     1  .  2  .  3  .  4  .     1  .  2  .  3  .  4  .
     C

     1  .  2  .  3  .  4  .     1  .  2  .  3  .  4  .
     C

     1  .  2  .  3  .  4  .     1  .  2  .  3  .  4  .
     G

     1  .  2  .  3  .  4  .     1  .  2  .  3  .  4  .
     C                          G

     1  .  2  .  3  .  4  .     1  .  2  .  3  .  4  .

     1  .  2  .  3  .  4  .
Section 2:
     C

     1  .  2  .  3  .  4  .     1  .  2  .  3  .  4  .
     F                          C           G

     1  .  2  .  3  .  4  .     1  .  2  .  3  .  4  .
     C

     1  .  2  .  3  .  4  .     1  .  2  .  3  .  4  .
    G

     1  .  2  .  3  .  4  .     1  .  2  .  3  .  4  .
     C

     1  .  2  .  3  .  4  .     1  .  2  .  3  .  4  .
     F                          C           G

     1  .  2  .  3  .  4  .     1  .  2  .  3  .  4  .
     G

     1  .  2  .  3  .  4  .     1  .  2  .  3  .  4  .
                                C

     1  .  2  .  3  .  4  .     1  .  2  .  3  .  4  .
     G

     1  .  2  .  3  .  4  .     1  .  2  .  3  .  4  .

"Armadillo" intro:

     1  .  2  .  3  .  4  .

Section 3:
     C                          F

     1  .  2  .  3  .  4  .     1  .  2  .  3  .  4  .
     C                          G

     1  .  2  .  3  .  4  .     1  .  2  .  3  .  4  .
     C                          F

     1  .  2  .  3  .  4  .     1  .  2  .  3  .  4  .
     C           G              F     G     C

     1  .  2  .  3  .  4  .     1  .  2  .  3  .  4  .
Section 4:
     C           G              Am          G

     1  .  2  .  3  .  4  .     1  .  2  .  3  .  4  .
     F                          C           G

     1  .  2  .  3  .  4  .     1  .  2  .  3  .  4  .
     C           G/B            Am          G

     1  .  2  .  3  .  4  .     1  .  2  .  3  .  4  .
     F                          C

     1  .  2  .  3  .  4  .     1  .  2  .  3  .  4  .
Section 5:
     A           Amaj7/G#(?)    D           E

     1  .  2  .  3  .  4  .     1  .  2  .  3  .  4  .
     D                          A           E

     1  .  2  .  3  .  4  .     1  .  2  .  3  .  4  .
     A           Amaj7/G#(?)    D           E

     1  .  2  .  3  .  4  .     1  .  2  .  3  .  4  .
     D                          A

     1  .  2  .  3  .  4  .     1  .  2  .  3  .  4  .
     E                          A

     1  .  2  .  3  .  4  .     1  .  2  .  3  .  4  .
     A                          A           E

     1  .  2  .  3  .  4  .     1  .  2  .  3  .  4  .
Section 6:
     E                          A

     1  .  2  .  3  .  4  .     1  .  2  .  3  .  4  .
     A                          A           E

     1  .  2  .  3  .  4  .     1  .  2  .  3  .  4  .
Section 7:
     A                          D

     1  .  2  .  3  .  4  .     1  .  2  .  3  .  4  .
     A                          E

     1  .  2  .  3  .  4  .     1  .  2  .  3  .  4  .
     A                          D

     1  .  2  .  3  .  4  .     1  .  2  .  3  .  4  .
     A                          E          A

     1  .  2  .  3  .  4  .     1  .  2  .  3  .  4  .

Craig Snider