Friday
IU
F#m
Intro
as chords (2 counts each): Bm7 D/E C#m7 F#m Bm7 E AMaj7 Amaj7-A7
Verse 1
Bm7 D/E C#m7 F#m7 woryoil en ama bappeuji anheulkka Bm7 E AMaj7 Amaj7-A7 hwayoildo seonggeubhae boiji an geurae Bm7 D/E C#m7 F#m7 suyoireun mwonga eojeong jjeonghan neukkim mogyoireun Bm7 E AMaj7 Amaj7-A7 geunyang naega waenji shirheo
Pre Chorus – 4 counts each
Bm7 E7 u ~ ibeon ju geumyoil Bm7 Amaj7 u ~ geumyoire shigan eottaeyo
Chorus – 2 counts each
Bm7 E C#m7 F#m7 jumal kkaji gidari gin himdeureo shigan a dallyeora Bm7 E AMaj7 Amaj7-A7 shigyereul deo bochaego shipjiman (Mind control) Bm7 E C#m7 F#m7 ilbun il choga dalkomhae i namja dodaeche mwoya Bm7 E AMaj7 Amaj7-A7 sarange ppajiji anhgon mot baegi gesseo Bm7 E C#m7 F#m7 on jongil nae mameun jeogi shigye baneul wie ollata Bm7 E AMaj7 Amaj7-A7 han kansshig geudaeege deo gakkai
Interlude
Bm7 D/E C#m7 F#m7 Bm7 E AMaj7 Amaj7 Amaj7
Bridge – 4 counts each
Bm7 E7 ttaghi bogo shipeun yeonghwaneun eobtjiman Bm7 E7 ttaghi meoggo shipeun menyuneun eobtjiman
Verse 3
Bm7 D/E C#m7 F#m na mwongae hollin geot gata i yeojan dodaeche mwoya Bm7 E AMaj7 Amaj7-A7 sarang haejuji anhgoneun mot baegi gesseo Bm7 D/E C#m7 F#m dora oneun ibeon ju geumyoire mannayo Bm7 E AMaj7 Amaj7 geu nal nae mameul deo gajyeoga jwoyo
Na Na Interlude – follow introduction chords
D/E (as xx2232) The rest as full barre chords For beginners: try transposing down 2 semi tones and use capo 2 for easier chords)
Tablaturas 1— toque pra ver as tabs
Tab
E|-----2-|----2-2-|-------|----0-0-|------|--------|------|--------| B|----3--|---3--3-|----5--|---2--2-|----3-|----0-0-|----2-|----2-2-| G|---2---|--2---2-|---4---|--2---2-|---2--|---1--1-|---1--|---1--0-| D|-------|-2------|--6----|--------|--4---|--2---2-|--2---|--2---2-| A|--2----|--------|-4-----|--------|-2----|--------|-0----|-0----0-| E|-------|--------|-------|-2----2-|------|-0----0-|------|--------|
Cifra adaptada de fontes públicas. Direitos da composição pertencem aos autores e gravadoras originais. Esta página é parte do projeto educacional Mania de Músico.

