High Falootin Mama

Grand Funk Railroad

Tom original: Db Capotraste: Sem capotraste Acordes: 9
Db

(início)

ALBUM: Grand Funk (Red Album), 1969
FROM: Lukas Lechner, Woergl, Austria
DATE: Dec 30 2001
HIGH FALOOTIN' MAMA
>>>>>>>>>>>>>>>>>>>>>>>
writtten by Mark Farner
it's a blues scheme in C
later on in C#
for the C part:
change between C and F:         change between F and Bb         change between G and C
    C     F                         F     Bb                         G    C
  NOTE: for the F- and G-type bar your index finger on the 10th (F-type) and 12th (G-type) fret
for the C# part:
change between C# and F#:       change between F# and Bb        change between G# and C#
    C#    F#                        F#    B                         G#    C#
Intro:   C   D#   Bb  C#  C     two times, then start off with the C-part
for the intro, use chords as following:

C-type

I can see you comin' mama, yes, you're movin' on down the line.
      [F-type]                                             [C-type]
I can see you comin' mama, yes, you're movin' on down the line.
         [G-type]                       [F-type]              [C-type]
You done have left a thousand men, and they're all back there cryin'.

C-type

She's a high falootin' woman, and she just can't do no wrong.

F-type

She's a high falootin' woman, and she just can't do no wrong.
          [G-type]              [F-type]                [C-type]
She's gonna' cry some day, and I know it can't be too long.
C   D#  F  2 times       F G#  Bb       C   D#  F      G-type   F-type
then the song goes into C#-major
(play the same with the C#, F# and G# types)
C#.....
She's got hips like a honey, and, Lord, she can make 'em move.
She's got hips like a honey, and, Lord, she can make 'em move.
And she'll do anything to make you get in her groove.
Lord have mercy on you woman, and your wicked soul.
Lord have mercy on you woman, and your wicked soul.
'Cause that high falootin' woman, gonna' live til she's a hundred years old.
in the outro there's a D after the C# and then back to C#.
end.
_________________________________________________________
For corrections, questions, comments and suggestions    |
e-mail me at *                          |
________________________________________________________|
"Won't you tell me, where have all the good times gone?"|
                -Ray Davies, 1965                       |
________________________________________________________|
"...enjoy a time when rock was still about making music |
for fun, not money for corporations."                   |
________________________________________________________|
Tablaturas 6— toque pra ver as tabs

Tab

E-MAIL: *

Tab

C-type:                         F-type:                         G-type:

Tab

e----------------               e---------------                e---------------|
B--------10------               B---------------                B---------------|
G---9----10------               G---10---11-----                G---12---13-----|
D---10---10------               D---10---10-----                D---12---12-----|
A---10---8-------               A---10---12-----                A---12---14-----|
E---8------------               E---------------                E---------------|

Tab

C#-type:                        F#-type:                        G#-type:

Tab

e----------------               e---------------                e---------------|
B--------11------               B---------------                B---------------|
G---10---11------               G---11---12-----                G---12---13-----|
D---11---11------               D---11---11-----                D---12---12-----|
A---11---9-------               A---11---13-----                A---12---14-----|
E---9------------               E---------------                E---------------|

Tab

C D# Bb
e--------------------------|
B--------------------------|
G---9----12----7----10-----|
D---10---13----8----11-----|
A---10---13----8----11-----|
E---8----11----6----9------|
Cifra adaptada de fontes públicas. Direitos da composição pertencem aos autores e gravadoras originais. Esta página é parte do projeto educacional Mania de Músico.
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