Neither One Of Us

(início)

 Intro
  Q=72
  Fmaj7                       Bb/C
 4/4
  Gtr I (El. Piano arr. for Gtr.)
  E   S S E E +S  S E S S E   E   S S E E +S  S E S S E

| Gtr II (El. Piano arr. for Gtr.)
| S S S S e E +H              S S S S e E +H

  Fmaj7
  E   S S E E +S  S E S S E

                               1st - 3rd Verses
                            $
  Bb/C                          Fmaj7
                            Gtr III (Ac. Gtr.)
  E   S S E E +S  S E S S E     E E E E E E E E

                    Gm7
  E E E E E E E E   E E E E E E E E

|-1-1-1-1-1-1-1-1-|-3-3-3-3-3-3-3-3-|
|-2-2-2-2-2-2-2-2-|-3-3-3-3-3-3-3-3-|
|-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-|

                    Bb/C                      C7        Fmaj7
  E E E E E E E E   E E E E E E E E   E E E E E E E E   E E E E E E E E

|-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-|-3-3-3-3-1-1-1-1-|-1-1-1-1-1-1-1-1-|
|-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-|-2-2-2-2-2-2-2-2-|
|-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-|-3-3-3-3-2-2-2-2-|-3-3-3-3-3-3-3-3-|

          Cm7 F7    Bbmaj7            Am7               Bbmaj7
  E E E E E E E E   E E E E E E E E   E E E E E E E E   E E E E E E E E

|-1-1-1-1-4-4-1-1-|-3-3-3-3-3-3-3-3-|-1-1-1-1-1-1-1-1-|-3-3-3-3-3-3-3-3-|
|-2-2-2-2-3-3-2-2-|-2-2-2-2-2-2-2-2-|-0-0-0-0-0-0-0-0-|-2-2-2-2-2-2-2-2-|
|-3-3-3-3-5-5-1-1-|-3-3-3-3-3-3-3-3-|-2-2-2-2-2-2-2-2-|-3-3-3-3-3-3-3-3-|
|-3-3-3-3-3-3-3-3-|-1-1-1-1-1-1-1-1-|-0-0-0-0-0-0-0-0-|-1-1-1-1-1-1-1-1-|

                             To Coda
  Bbm6              F/C                Gm7     Bb/C      Fmaj7
  E E E E E E E E   E E E E E E E E    E E E E E E E E   E E E E E E E E

                                        Bridge
  1.                 2.
  Bb/C                Cm7     F7
  E E E E E E E E     E E E E E E E E    E E E E E E E E   E E E E E E E E

  Fmaj7                               Gm7               Bb/C
  E E E E E E E E   E E E E E E E E   E E E E E E E E   E E E E E E E E

|-1-1-1-1-1-1-1-1-|-1-1-1-1-1-1-1-1-|-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-|
|-2-2-2-2-2-2-2-2-|-2-2-2-2-2-2-2-2-|-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-|
|-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-|

  Fmaj7             Cm7     F7        Bbmaj7
  E E E E E E E E   E E E E E E E E   E E E E E E E E   E E E E E E E E

|-1-1-1-1-1-1-1-1-|-4-4-4-4-1-1-1-1-|-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-|
|-2-2-2-2-2-2-2-2-|-3-3-3-3-2-2-2-2-|-2-2-2-2-2-2-2-2-|-2-2-2-2-2-2-2-2-|
|-3-3-3-3-3-3-3-3-|-5-5-5-5-1-1-1-1-|-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-|
|-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-|-1-1-1-1-1-1-1-1-|-1-1-1-1-1-1-1-1-|

  Am7                                 Dm      Dm/maj7   Dm7     Dm6
  E E E E E E E E   E E E E E E E E   E E E E E E E E   E E E E E E E E

|-1-1-1-1-1-1-1-1-|-1-1-1-1-1-1-1-1-|-6-6-6-6-6-6-6-6-|-6-6-6-6-6-6-6-6-|
|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|-7-7-7-7-6-6-6-6-|-5-5-5-5-4-4-4-4-|

                                       Outro
                        D.S. al Coda &
  Bb/C                      C7          Gm7     Bb/C      Am7
  E E E E E E E E   E E E E E E E E     E E E E E E E E   E E E E E E E E

  C/D     D7        Gm7               Bb/C    C7
  E E E E E E E E   E E E E E E E E   E E E E E E E E

|-5-5-5-5-3-3-3-3-|-3-3-3-3-3-3-3-3-|-3-3-3-3-1-1-1-1-|
|-5-5-5-5-5-5-5-5-|-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-|
|-5-5-5-5-4-4-4-4-|-3-3-3-3-3-3-3-3-|-3-3-3-3-2-2-2-2-|

                    H.=H
  Fmaj7             Bbm6              Fmaj7
  E E E E E E E E   E E E E E E E E   W          +W

W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff

 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /\  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
  - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
 \n  - tremolo bar down
 n/  - tremolo bar up
/n\  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
 <>  - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash

 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers -  = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
It's sad to think, we're not gonna make it
And it's gotten to the point where we just can't fake it (Ooo)
For some unGodly reason we just won't let it die (let it die)
I guess neither one of us (neither one of us)
Wants to be the first to say good bye
I keep on wondering (wondering)
What I'm gonna do with out ya (do without you)
And I guess you must be wondering that same thing too (Ooo)
So we go on, go on together living a lie (living our lie)
Because neither one of us (neither one of us)
Wants to be the first to say good bye
Oooooh ev'rytime I find the nerve
Everytime I find the nerve to say I'm leavin' (leavin')
Oh, memories, those old memories get in my way (my way my way)
Oh (Ooo) Lord knows it's only me only knows it's only me
That I'm deceiving
When it comes to saying good bye
That's a simple word that I just cannot say