Focus 2

  Gtrs I, IV
   <     <  <   <     <     <  <   <     <     <  <   <     <
   Q.    E  Q   Q     Q.    E  Q   Q     Q.    E  Q   Q     W

    Faster Q=87
    N.C.
    Gtr I
    Q.   E Q  Q    Q.   E Q  Q    Q.   E Q  Q    H.      Q
||E|E|-----------|----||-8----8-8--7--|E|-----------|---|E|-----------|--|
||o--------7--8--|E|-----------|---|--------7--8--|E|-----------|--|
||--9----9-------|E|-----------|---|-9----9-------|-7E|-----------||
||E|E|-----------|----||E|-----------|---|E|-----------|---|E|-----------|--|
||oE|-----------|---|E|-----------|---|E|-----------|---|E|-----------|--|
||E|E|-----------|----||E|-----------|---|E|-----------|---|E|-----------|--|
  Gtr II
    ~~~~                                  ~~~                ~~
    Q.    E  Q   Q     Q.    E  Q   Q     Q.    E  Q   Q     W

  Double tempo Q=174
  N.C.
              Gtr I
              <
    ~~~~
   +E  Q.   E E E E   E E Q  E E E E   E E Q  E E E E   E E    Q  +E  E E E

 Drum Fill
  N.C.
  Wx4

  1.ower Q=144
  N.C.
 7/4
   e  e  E  E      +E  E  S  S  E  +Q   Q   E.  S

  2.144
  N.C.
 4/4
  Gtrs I, III, IV
  Q   e  e  q   e  e   E e  q   Q   Q    q  e  e  q  e  e   E E H.

  Q=144(8=s8)
  N.C.
  Gtr I
  E   Q.   q  q     E  E E  e H      E   Q.   q  E  E    +W

                                                      Slower Q=74
                                                          >
  E   Q.    q  q     E  E E  e H      E   Q.   q  E E    +H     H

           Gtr II
                                                     |-3-|
  W           H    E E E E   Q.   S S H      +Q.   E Q Q Q

   >
                        |-3-|                           |-3-|
   Q.    E  H      H    Q Q Q   Q.   S S H      +Q.   E Q Q Q

   >
   Q.    E  Q.   a E   E. S H    +E  E   E S S H    E a E   E. S +H     E  E

   E.   S    H     E a E   E. S +H     E  E
|-<7>-<12>-<12>----------|E|E|-----------|----|<7>-|

   E.   S    H     E a E   E. S Q  E E E E
|-<7>-<12>-<12>----------|E|E|-----------|----|----|

  H=H
  ~~               ~~            ~~               ~~
  H.      E E      H.      E E   H.      E E      H.      E E

  ~~               ~~            ~~
  H.      E E      H.      E E   H.      E E

               H.=H
  ~~           ~~
  H.      Q    Q.   E E E Q    W          +W

W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff

 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /\  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
  - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
 \n  - tremolo bar down
 n/  - tremolo bar up
/n\  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
 <>  - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash

 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers -  = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths