Real Motherfuckin Gs
Eazy
Am
Tabbed by: Bryan Reznicek Tuning: Standard (E-B-G-D-A-E) high->low) Key Legend: (#) - Dead Note (x is also a dead note) s - Slide h - Hammer-on p - Pull-off
^ v
And this is my interpretation of the D.J. in the background. You have to experiment with it but it's got a steady rhythm to it. When I did this I held my fret hand over the second fret, but not pushing down on the strings so I was playing dead notes. I held my picking held at like a 45' angle and just brushed my hand against the strings to make a more percussive noise. It sounds very cool if you layer it with other tracks. |-xxxxxxxxxxxxxxxx-| |-xxxxxxxxxxxxxxxx-|
Tablaturas 8— toque pra ver as tabs
Tab
E|E|-------------------------------------------------------------------------------||
Tab
Real Motherfuckin G's - Eazy-E E|E|-------------------------------------------------------------------------------||
Tab
Intro E|-----------| B|-----------| G|-------(7)-| Rake this part D|-----(7)---| A|---(5)-----| E|-(5)-------|
Tab
Rhythm* E|-----------| B|-----------| G|-----7~~-7-| D|-----7~~-7-| A|-x-x-------| E|-----------|
Tab
Chorus E|-----------------------------------| B|-0---6h8p6h8p6---8h10p8---10h12p10-| Synth part for guitar G|-----------------------------------| D|-----------------------------------| A|-----------------------------------| E|-----------------------------------| p.m.
Tab
Bass Part E|------------------------------| B|------------------------------| Bass part played simulatoneously G|------------------------------| with above synth D|------------------------------| A|-2222-0-2-3s5-----------------| E|---------------0001-223-445---|
Tab
Pre-Chorus (~2:26) E|---------------------------------| B|-(0)---s10~~---------(0)---s10~~-| Played before the chorus G|---------------------------------| D|---------------------------------| A|---------------------------------| E|---------------------------------|
Tab
E|---xx--xx--xx--xx-| B|-xx--xx--xx--xx---| G|------------------| D|------------------|
Cifra adaptada de fontes públicas. Direitos da composição pertencem aos autores e gravadoras originais. Esta página é parte do projeto educacional Mania de Músico.

