Amidt The Macabre
Avulsed
E
(início)
Version 1.0 - November- 2001
Transcribed by: Mike B.
For Questions, Comments, Newest Version, or Corrections contact
Steve S.: at Setherial99@*
.. - palm mute / - slide up to
\ - slide down to ~ - vibrato
h - hammer on b - bend
p - pull off Suffixes for bend
ph - pinch harmonic
f - full bend h - half bend
* - see comment r - release t - tap bend
X - percussion mute ~ - vibrato bend
@ - slight palm mute () - ghost note, sustained note
CGCFAD
Amidst the MacabreTablaturas 7— toque pra ver as tabs
Tab
A
|------------|-----|-------------------------------------------------|
|------------|-----|-------------------------------------------------|
|------------|-----|-------------------------------------------------|
|--7---------|--4--|----repeat---------------------------------------|
|--9---------|--5--|-------------------------------------------------|
|-------0-0--|--0--|-------------------------------------------------|Tab
A2 (lead) | |------------|------------|------------------------------------------| |------------|------------|------------------------------------------| |------------|------------|------------------------------------------| |--/4--6--7--|--/4--6--7--|------------------------------------------| |------------|------------|--5--7--7-7--7/8--10--8--7--5-------------| |------------|------------|------------------------------------------| |* Trill | |------------|------------|------------------------------------------| |------------|------------|------------------------------------------| |------------|------------|-------------*---------*------------------| |--/4--6--7--|--/4--6--7--|--9--7-7--67676767--46464646--2ph---------| |------------|------------|------------------------------------------| |------------|------------|------------------------------------------|
Tab
B1
|--------|--------|--------------------------------------------------|
|--------|--------|--------------------------------------------------|
|--------|--------|--------------------------------------------------|
|--7--7--|--5--5--|--3--3-3--repeat----------------------------------|
|--7--7--|--5--5--|--3--3-3------------------------------------------|
|--7--7--|--5--5--|--3--3-3------------------------------------------|Tab
B2 (lead) | |--------5-----------------------------------------------------------| |--5--6-----8--10--9h10p9p6--9--6h9p6\5--3---------------------------| |--------------------------------------------------------------------| |--------------------------------------------------------------------| |--------------------------------------------------------------------| |--------------------------------------------------------------------| | |
Tab
|--------5-----------------------------------------------------------| |--5--6-----8--10--9h10p9p6--9--6~-----------------------------------| |--------------------------------------------------------------------| |--------------------------------------------------------------------| |--------------------------------------------------------------------| |--------------------------------------------------------------------|
Tab
C1 End |-----|--------------------------------------------------------------| |-----|--------------------------------------------------------------| |-----|--------------------------------------------------------------| |--7--|--------------------------------------------------------------| |--7--|--------------------------------------------------------------| |--7--|--------------------------------------------------------------|
Tab
C2 |
|-------|------------------------------------------------------------|
|--17*--|------------------------------------------------------------|
|-------|------------------------------------------------------------|
|-------|------------------------------------------------------------|
|-------|------------------------------------------------------------|
|-------|------------------------------------------------------------|
Cifra adaptada de fontes públicas. Direitos da composição pertencem aos autores e gravadoras originais. Esta página é parte do projeto educacional Mania de Músico.

