Behind The Smile

(início)

 Intro
  Q=107
  N.C.
 2/4            4/4
  Gtr I
  Q.     +E      E S S S S S S S S S S S S E   S S S S S S S S S S S S Q

                                                          F5
  +E  S S S S S S S S S S S S E   S S S S S S S S S S S S Q

   Verse
    $
    N.C.
    PM----|   PM----------|   PME|-----------|-|   PM----------|
    S S S S S S S S S S S S S S S S   S S S S S S S S S S S S Q
||E|E|-----------|----|E|E|-----------|----|----|E|E|-----------|----|E|E|-----------|----|-|
||oE|E|-----------|----|E|E|-----------|----|---|E|E|-----------|----|E|E|-----------|----|-|
||E|E|-----------|----|E|E|-----------|----|----|E|E|-----------|----|E|E|-----------|----|-|
||----------4E|E|-----------|----|4-------|---------4E|E|-----------|----|------|
||oE|E|-----------|----|E|E|-----------|----|---|E|E|-----------|----|E|E|-----------|----|-|
||--2-2-2-2---2-2-2-2-2-2-2---2-2-2-|-2-2-2-2---2-2-2-2-2-2-2-3b5===|
                                                            F5
      PM|   PM----------|   PME|-----------|-|   PM----------|
  +E  S S S S S S S S S S S S S S   S S S S S S S S S S S S Q

   Chorus
                                   D.S.
    Bm         Bsus2      F#/A#      Bm
    Gtr I
    W          W          W          W
||E|-----------||----------|----------|--------||
||o----------|----------|----------|-------o||
||--7--------|-6--------|-6--------|-7------||
||E|-----------||----------|----------|--------||
||o-5--------|-4--------|-4--------|-5-----o||
||E|-----------||----------|----------|--------||
|
|   Gtr II
|   W          W          W          W
||E|-----------||----------|----------|--------||
||o----------|----------|----------|-------o||
||E|-----------||----------|----------|--------||
||--9--------|-9--------|-8--------|-9------||
||o----------|----------|----------|-------o||
||--7--------|-7--------|-6--------|-7------||
 Bridge
  E5              F5     G#5      E5              F5     N.C.
  Gtrs I, II
  Q  E E Q  E E   Q  E E Q  E E   Q  E E Q  E E   Q  E E E E E E

  E5              F5     G#5      E5              F5      N.C.
  Gtr III
  W               W               W               H.          E  E

| Gtrs I, II
| Q  E E Q  E E   Q  E E Q  E E   Q  E E Q  E E   Q   E E E E E  E

 Harmony/Solo
  A5                         D5
  Gtr III
   E   E  E  E  E  E  E  E    E  E  E  E  Q.    E

| Gtr IV
|  Q.        E  E  E  E  E    E  E  E  E  Q.    E

| Gtrs I, II
|  W                          W

  G5                         C5
   E   E  E  E  E  E  E  E    E  E  E  E  Q.    E

  F5                         B5
   E   E  E  E  E  E  E  E    E  E  E  E  H

|                           |--3--|
|  H     +E   E  E  E    E  S  S  S  E  E  H

  A5                       D5                  G5
  Gtr III

| Gtrs I, II
|  W                        W                    W

  C5                       F5
   E  E  S  S  E  +H       E  Q      E     Q      E     S  S

  B5
   Q      +Q        +E       S  S  Q

 Chorus
  Bm                      Bsus2      F#/A#      Bm
  Gtr III
   E.  +S      +H.        W          W          W

| Gtr I
|  W                      W          W          W

| Gtr II
|  W                      W          W          W

  Bm         Bsus2      F#/A#      Bm
  W          W          W          W

 Out Chorus
  Bm          Bsus2       F#/A#       Bm
  H    H      H    H      H    H      H    H

                                      Q=52
  Bm          Bsus2       F#/A#       Bsus2
  H    H      H    H      H    H      W

W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff

 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /\  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
 - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
 \n  - tremolo bar down
 n/  - tremolo bar up
/n\  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash

 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers -  = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths