Andecy

  H       Q     Q    Q.     E

  H       Q     Q    Q.     E   H       Q     Q    Q.     E
                          $
  Q  E E +E  E E E  H          Q  E E +E  E Q   Q   Q

  H       H        +H          H       Q.     E Q.    E

  H       Q     Q    Q.     E

  H       Q     Q    Q.     E
 1.                         2.
  Q  E E +E  E E E H         Q  E E +E  E E E  Q     E E

  H       H.          Q      H       H        +E  Q.

   H       Q.     E Q.     E    H       Q.     E Q.     E

  H       Q     Q    Q.     E
     <
  Q  E E +E  E E E  Q     E E

  H       H        +E  Q.

   H       Q.     E Q.     E    H       Q.     E Q.     E

  H       Q     Q    H         H       +H        H
         ~~~~~~     ~~~~
      E  E E E +E   E Q    E  E E E
||--^-8------8-(8)--------^7------7--|
||o-^10-10---------10-----^8-10-8----|
||--^-9----9----------9---^7---------|
||E|E|-----------|----|E|E|-----------|----|-----|
||o---0---------0-------0--7---------|
||E|E|-----------|----|E|E|-----------|----|-----|
      H         Q.      E  H

  H        Q.     E E Q.        H         Q.    E Q.     E
 1.
  Q  E E +E  E E E  Q.   E

  H       H        +H
  2.
  Q  E E +Q   E E  E  E  E E      E   E  E  E  E  E   E    E  E  E E E

  H       H       +H              W.

   W.
                                                  To Coda
  <                                             >
  E E E E  E  E E E E E E E   Q  E E +E  E +Q   E  E Q

  H       +H        Q   Q     H       Q     Q   Q.     E
 1.                             2.
                                              D.S. al Coda
              <
  Q  E E +Q   E E  E  E  E E     Q  E E +E  E E E  Q.   E

  H       H       +H             H       H        +H
  &
  Q  E E +E  E E E  Q.   E     Q  E E +E  E Q   Q   Q

  H       H        +H          H       Q.     E Q.    E

  H       Q     Q    Q.     E

  H       Q     Q    Q.     E

  H       H        +H        H       Q.     E H

  H          Q.    E Q.     E   H          Q.    E Q   +Q

  H       Q     Q    Q.     E

  H       Q     Q    Q.     E
                              H.=H
  Q  E E +E  E +E  E E  E Q     E E E E  E  E E E +H

  H       Q     Q    Q.     E   H       +H         H

W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff

 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /\  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
  - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
 \n  - tremolo bar down
 n/  - tremolo bar up
/n\  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
 <>  - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash

 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers -  = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths